droplet of night, molten light
cachify

arte, foto, new york city

shutter and shimmy

04.22.08 | 5 Comments

i definitely am pining for a decent digital SLR. the fine and fragile detail that 10 megapixels or so can capture really excites me. smoke, mist, transparency and near-transparency, the finest texture or variation of light. i sort of feel like not bothering with photography until i can get one. maybe next big job. i was looking at the nikon d50 and the pentax K10(D?) as well. 

for now i have my Canon SD1000, which claims 7.1 megapixels, but i just don’t see it. in fact, i think the nikon coolpix i had grabbed nicer detail or subtleties of light, even tho undoubtedly cheaper and older. that one is broken. it lasted a little while, and was given to me when someone moved up in camera quality so it was doubly sweet, as it was my first digital camera (still camera). i took the coca cola and the nezua skywalker series with that jobbie, along with other images. but then i forgot to take the battery out when stowing it (something i don’t normally do, but i was traveling and my bag got bumped around a lot) and it got jiggled on inside a pocket in my bag, and the lens tried to emerge, but had no room, and so the motor burnt out. i want to sell the memory card to it (2G) but as of now, i’m a little uncomfortable doing so without being able to insure it is empty of images.

i’m not sure why the canon SD1000—still a point and shoot, but i’d guess at least as good/expensive a camera than the nikon i had—grabs such grain/pixelization, even when the ISO is low. i should try setting the pictures to a smaller size. but still, the quality is set on “fine,” the best, so i don’t get it. oh well. at least you are not developing film! so the cost is low compared to my old skool SLR, the Pentax K1000. had that thing since my first college! i got it second hand shortly after my fuji was stolen.

i love film grain. still do. dont care so much for pixelization, not the same.

so i had one of those film rolls sitting around for years on the shelf, and i took it down to the rite aid. the image quality deteriorated a bit from sitting around the last couple years and moving from house to house, and i cropped usually and messed with color on these because there are light leaks along the sprockets, which happens to film kept out of the canister and moved around a lot, oh well. i just took the film finally to be developed, and it was one of those surprise packages. 

some of the shots were snapped on my old commuting route, when i lived in brooklyn and took three trains in each direction, each day, to get to work. others are more recent. here’s a few.

 

“Luna, Natural Light, 2007.” 35 mm film, 28mm lens, Pentax SLR, Process AP70/C41, edited in Photoshop to desaturate and add URL
“Harlem Red and Green, 2005.” 35 mm film, 50mm lens, Pentax SLR, Process AP70/C41, edited in Photoshop to crop, tint, oversaturate and add URL

 

“On the Ball” 35 mm film, 28mm lens, Pentax SLR, Process AP70/C41, edited in Photoshop to add URL
 
“East River at Sunset” 35 mm film, 50mm lens, Pentax SLR, Process AP70/C41, edited in Photoshop to crop and add URL
 

oh my god, and who really uses the word “pining” anymore? wow. i dated myself even further back than i have a right to. where did i even pick that one up? 


  

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droplet of night, molten light
cachify